It is an often-repeated piece of advice in certain circles that co-parenting a pet following a split is ill-advised. Most will argue such arrangements prevent ex-partners from healing, create logistical nightmares, lead to tension, and prove frustrating across the board. Seemingly, as a development fit for a direct-to-platform film, it also makes our furry friends to feel down.
While respecting the mental health of our pets – many owners speak of their remarkable empathy. For a prime example in canine melancholy, consider another performance. I firmly believe that a dog like Merv, a scruffy terrier type brought to life by Gus the Dog, would struggle adjusting to split households. If this concept an entire Christmas romance on this conflict holds water is rather doubtful.Predictable Foundations
Honestly, Merv, the work of the writing duo and helmed by Jessica Swale, doesn't pretend to be deeper than a light film. This is a seasonal offering from a major tech-and-media conglomerate – the ambitions is limited. The plot unfolds as simple and direct: a separated couple Russ, played by Charlie Cox and Anna, portrayed by Zooey Deschanel, confronting that their post-breakup gloom is rivaled only by their dog's, decide on a cheer-up vacation to a dog-friendly resort. There, inevitably, they will presumably rediscover the idea that they are better together. Ensemble players – played by familiar faces – fulfill roles the usual assortment of types. Its aesthetic has the quality of a streaming service original, with a wintry atmosphere that is visibly contrived – as seen in flurries clinging to green trees as a warm climate stands in for a cold December city.
Where the Film Shines
Whether these predictable parts coalesce into something enjoyable rests upon the strength of the performances and one's taste for easy entertainment. Regarding the second aspect, Merv hones in on a demographic – individuals who seek out for dog videos. It provides a plethora of adorable dog montages. The main attraction is the dog, and while this leads to some stilted moments between the pet's "lines" and human reaction, the movie succeeds in showing walking sequences, pet moping, and, in the end, a tail-wagging resolution.
The Two-Legged Cast
Such effectiveness is not earned for the romantic plot. Its style shifts uneasily between relationship drama, zany antics, standard rom-com beats, and silly gags, never fully committing to any one mode. No blame falls on Charlie Cox, who is admirably committed the absurd and awkward required by the unusual premise. His performance contains a charming humility that provides much of the film's charm for this on-the-rocks couple. Anna's portrayer, as is her trademark, imparts a distinctive offbeat energy that will click for some but not others. Her Anna seems a little too aloof, particularly when paired with Cox's vulnerable performance. (For what it's worth, Merv himself manages flopping and whining – while no a canine thespian of that caliber, he's definitely a scene-stealer.)
Merv tries to give weight to the couple's history for scenes without their pet – a bit of a pity, considering Merv is undoubtedly the most adorable aspect of this film designed for charm. Unsurprisingly, it just about gets by. The catalyst for their separation might seem more grounded and mature with less exposition and fewer direct statements. As it stands, Merv is gentle and pleasant, meeting precisely what you anticipate. Making a film about dog co-parenting has potential – but I wouldn't call it a great one either.
- Merv premieres on Amazon Prime Video this December.
